marvis dee returns to in my dreams for the second part of his ep series with the sparking, 80�s boogie-house 5-tracker, dreams of a future metropolis. huge shimmering synths, funk-heavy basslines and serious grooves all sailing out with the setting sun.

zweiter sampler von ibiza-dj chris coco, kurator der real ibiza-serie, und jim breese, resident-dj im café mambo. 13 hervorragende balearic-tunes, darunter neuen tracks von faze action und horsebeach, neue beach-house-versionen der 80s klassiker good life- (inner city) und hangin on a string (loose ends), stereolab-sängerin laetitia sadier mit einem dubby digi-reggae-tune, sowie vinyl-exklusiv sacha puttnam mit einem cover des abrahams theme aus dem chariots of fire soundtrack.

forceful, industrial and acidic, kamera�s �consignia�, taken from his ep �ventoux�, arrives reworked by two producers each as uncompromising as the source material. truncate steps up to delivers a remix that further encapsulates his precise vision of deep, raw techno. choosing to boldly strip back the foundations of the original track, his powerful rework performs subtle but precise surgery, creating a tense masterpiece of sustain and release, enveloping the dancefloor in thunderous claps and jittering rave samples. meanwhile, the so far elusive yaleesa hall is tapped for an offbeat, dub version of consignia, twisting the track into something altogether darker and stranger. a muddied, dare we say filthy bassline supports a chaotic framework of unpredictable drum patterns and mechanized noise, while still maintaining a hallucinogenic groove as the track�s original elements gasp for air underneath.

everything i know and i will never know about you is a journey through electronica, deep-house and pop, driven by the endless and timeless sources of inspiration that are love and life. prior releases on powerhouses diynamic, get physical and third ear have pinpointed denite�s sound at the border of deep and tech-house but his long player debut is, sonically, a fresh new adventure. the spanish producer takes a developed and matured sound into deeper dimensions of self-reflection, exploring new sonori- ties while remaining loyal to his early influences with strong personal touches on drums and keys. everything i know and i will never know about you is a bold move for denite, who comes a step closer to achieving his artistic vision. tracks like when i go out and the art of letting go embody the album�s innate dance-floor nature while songs like berlin see the spanish producer looking square towards new horizons and musical ambitions. club-friendly while staying geared towards the headphones, everything i know and i will never know about you reads like a bridge between two love stories with similar paths and mirroring endings. opening with the slow, pulsating sound of a heartbeat, it follows the universal cycle of the highs and lows of a relationship, closing on brighter promises and new potentialities.

everything i know and i will never know about you is a journey through electronica, deep-house and pop, driven by the endless and timeless sources of inspiration that are love and life. prior releases on powerhouses diynamic, get physical and third ear have pinpointed denites sound at the border of deep and tech-house but his long player debut is, sonically, a fresh new adventure. the spanish producer takes a developed and matured sound into deeper dimensions of self-reflection, exploring new sonori- ties while remaining loyal to his early influences with strong personal touches on drums and keys. everything i know and i will never know about you is a bold move for denite, who comes a step closer to achieving his artistic vision. tracks like when i go out and the art of letting go embody the albums innate dance-floor nature while songs like berlin see the spanish producer looking square towards new horizons and musical ambitions. club-friendly while staying geared towards the headphones, everything i know and i will never know about you reads like a bridge between two love stories with similar paths and mirroring endings. opening with the slow, pulsating sound of a heartbeat, it follows the universal cycle of the highs and lows of a relationship, closing on brighter promises and new potentialities.

michael e s second release of tb303 and drum machine bang outs. star child continues its chronicles of chicago & detroit infused dance floor beats.

first reference of blitzkrieg waves label, a humble, plain and honest project in the hands of two close friends united in the same concept (demuff y manuel monino), which is now released under the name of heer division 1, which is the beginning point of a row of references which we will have the chance of enjoy along this year. the first one, comes in charge of two renowned and defined figures in the spanish techno scene, kike pravda y hd substance, who will lead and mark off the lines to follow in the emerging project. these artists will bring their personal and musical vision up having been supported by many important labels. in this record we will find 4 tracks, kike pravda y hd subtance providing two tracks each.

after inaugurating the �opera� sub-series of his outis music label with the sublime omonimo double lp this april, dino sabatini has invited some choice allies to help define the vocabulary and expand the vision of the new imprint. the aforementioned album, which wove together sabatini�s atmospheric conjuring skill with the piano flourishes of antonello salis, already exhibits the labels commitment to dismantling the either-or logic of contemporary genres by successfully merging a variety of supposedly irreconcilable styles, talents, and worldviews (e.g. both mythological and the technological perspectives). the follow-up ep, concentrica, draws on the material from omonimo and delivers it into the hands of additional remixers in order to continue the outis opera voyage.

sherwood at the controls vol.2: 1985-1990 liefert 16 von sherwood produzierte oder remixte tracks zwischen electro, industrial, noise, hiphop, afrobeat und dub aus der zeitphase zwischen 1984 bis 1990. klassiker und raritäten, cd-erstveröffentlichungen und fünf(!) komplett unveröffentlichte tracks von lee perry, dub syndicate, bim sherman und african head charge. dazu ausführliche linernotes mit den entstechungsgeschichten der einzelnen tracks, archivfotos, lavelscans, uvm. alle formate unmixed.

opak records alkyle series is a indépendant music label owned by seq9 & eeror303. the music selected on the label is a melting pot between techno, house, minimal, chicago, détroit, electro, pop, uk funky and abstrakt hiphop. mathias schaffhäuser is a german electronic music artist since the beginning of the 90 s, he produce techno and house on label like kompakt, compost, ware, tic tac toe, snork enterprise, mo s ferry, force inc. & many more « schlucht ( original symphony mix ) » is a big rave anthem between the vibes of the crazy horn and the minimal atmosphere of the deep beat ! the perfect piece of music for home & club listeners. the second track is a edit made by mathias himself with his home moniker « rudolfo irving » ! the mood here is more like a loud uk bassline house vision of the original theme. let the music control your body & shake your booty. the track n°3 is a version made by the new french talent « gran cavalière » also know for his collaboration with electric rescue, maxime dangles & more crazy artists from the hexagon.

energydream ep is entirely based on vocal house samples, deprived of their frenzy soul and arranged into a new melancholic mood. the frosty vibrations generated from the textures produced and the ambient arrangements bring the listener into a dimensionwhich lives within a purist vision of the dance floor and anastral journey. a typical approach which has been marking dave s productions for a long time.

repress 2018... following on from isaac tichauer s street lessons release, the mysterious loft records calls in the talents of bicep, hackman, dorsia and lancelot for a choicest remix package. the french express signing turned many heads when he dropped his lauded devotion lp back in 2012, and since then the australian producer has risen to become a formidable name within modern day electronic music. therefore it s only fitting that an all-star cast were chosen to remix his latest release on loft records. bicep, who had an enormous 2015 with releases on aus and 50 weapons, begin the release with the only remix of higher level - a break infused cut fashioned for the dancefloor with a penetrating melody, echoing vocals and soaring pads. the first of three street lessons remixes then comes from hackman, known for his work on 20/20 vision and futureboogie, who incorporates serene synths and subtle stabs to transform the original into a quirky renovation with elements of funk. london duo dorsia then step up with a cacophony of sounds that build in suspense with the introduction of fuzzy atmospherics, until fellow australian and w&o street tracks artist lancelot generates a cavernous dub containing the originals infectious hook whilst implementing resounding rimshots and wobbly keys.

the first r&b rec record is born from the encounter of two artists in the gloomy baltimore of the beginning of the millennium, after years in which their artistic roads proceeded in a very much parallel manner, without ever physically crossing paths, driven by their passion for analog instrumentation and the desire to find and create new rhythmics and sounds. it is in 2013 the two decide to join their forces to create their own personal vision of techno music and dance music in general. resulting in a hot and scratchy vinyl that combines dark, percussion sounds well known from detoit techno, with the sought after rhythmic of breakbeat and drum and base, of the british nineties. also packed with influences of acid-house, this record incorporates features of the so influential 80 s punk era, finally sinking it s roots in the psychedelic currents of the 70 s. the result is a brand new genre which is difficult, if not impossible to define. a unique way of defining dance music, in all its aspects, which is identified under the name of spaceship surgery techno.

dj support by pete herbert, ooft!, craig bratley, shmlss, max essa...
clan001 is a sampler of carefully selected artists that reflects the ethos of the label. on the a side is wonder , our collaboration with private agenda who contribute a beautiful male vocal and melody line resulting in our most pop sounding production to date. pleased to welcome a vision of panorama to the record on a2 who s pastel beach is a breezy, tropical inspired rhythm to herald the sound of summer. on the flip side for b1 we have bird of paradise with boys of brass , an edgier club focused sound aimed at late-night dance floors. finishing off the record on b2 is coyote s dead feathers , a deep and emotive slow burner for just after twiligh

� and finally make their full perc trax debut !
� features full printed jacket
� dj feedback to follow
� berlin / manchester noiseniks and finally make their full perc trax debut after first appearing on the label in 2014 when they served up a suitably screw-faced remix of drax s phosphene . now regarded as one of the most uncompromising production outfits on the european techno scene they widen their musical vision across these four tracks without leaving behind the raw aesthetic and driving energy that has characterised their music and their live performances over the last few years. from the kind of straight up 4/4 pounders that have made the closing slot at electric deluxe s awakenings events their own, to experiments with off-kilter drums and caustic noise this ep is as good a statement of and s present and future as you ll hear all year.

uvb starts his own imprint presenting his new approach to his vision of techno.

vatos locos kingpin hector raises the bar after the stellar launch of his vl recordings label, with a solo follow up entitled jacuzzi killer ep . having appeared on many stalwarts of the underground house and techno label scene over the last 8 years including: desolat, mobilee, tsuba, 20:20 vision, 8bit, moan and decay, 2016 has witnessed the start of a new chapter in his already illustrious career with the birth of this new label project which launched with a bang at a packed vatos locos party at bpm mexico in january this year. jackuzzi killer is a four track ep packed full of that signature low slung, rolling groove we all know and love hector for. the cherry on top, a coveted and rare remix by detroit legend rolando will see vl recordings keep the music to the high standard that has become synonymous with hector and his vatos locos crew

weval beziehen ihre inspiration nicht aus einem einzelnen musikalischen genre, sondern eher aus einer akkumulation von musik, die sie inspiriert. die ergebnisse zeichnet eine beeindruckend kohärente vision aus, aufnahmen wie das dramatische the battle, der bassknurrer i dont need it oder die trip-saga madness teilen diesselbe dna aus schwungvoller nostalgie, einer schwäche für immersive klangschnitzerei und einer gewissen delle im groove. sie nähren sich auch aus zutiefst persönlichen erfahrungen und stimmungen, wie zum beispiel bei der eindringlichen elektronischen ballade youre mine, dem vorsichtig geschichteten, polaroid-gefärbten just in case oder dem wunderschön gesungenen schlussakt years to build. und manchmal ist es nur ein altes, verstimmtes klavier, das im flur herumsteht: immer wenn ich dran vorbei lief, musste ich darauf herumklimpern, erklärt merijn, also wurde es ein zentraler bestandteil von you made it (part i). kein zweifel: dies ist wevals stärkstes und organischstes material bisher, was durchaus was bedeutet, wenn man das talent bedenkt welches bereits in schmalen, doch gewichtigen portfolio der band steckt.

rustling pillows, irate flamingos, drums thumped feverishly in basements. tweaked cassettes, noisy buses, restless hands tapping dashboard rhythms in thick dusk traffic. found sound, musique concre&#768,,te, stuttering drum loops forged in twilight boredom � hyperedited into ruminative dance collages. pillow by mischa lively (ne&#769,,e barton, blake): 4 songs, 25 minutes, a hybrid of exertion and uplift. pillow marks both the nashville native�s debut for racecar and the denouement of an evolution. once rigidly stuck to notions of how rhythm should be utilized � barton is a trained percussionist � the producer eventually realized the potential in limiting himself to a minimalist diet of new and archived drum loops from which to build songs. studying myriad treatment techniques, barton then executed a vision unmoored to binary ideas about �live� versus �electronic,� blurring lines as he composed with an ear for idm, dub, techno, and ambient music. hence pillow: a vast assemblage of rhythm and sound performed to mirror the spirit of dance records. indeed, the 12� is as ripe for warehouse parties as meditative nights alone, headphones affixed, candles lit, marveling at the mysteries humans conjure with physical limbs. �rhythm is instinctual to me,� barton remarks when asked about his preference for recording analogue patterns versus beats sourced from 1s and 0s. �and i dislike sitting nearly as much as working from computers.� movement, then, is a virtue to barton, and in mischa lively he�s found a taut, elegant, propulsive vehicle in which to explore it.

raw house and ghetto beats coming straight out from the underground. for his first album on gourmand music recordings, jr from dallas offers us what he is best at: he cooked for us 8 wonderful tracks elaborated with love and his digging expertise. jrs agility and love for house music allows him to collaborate with different artists in many different genres, adding his heavy and strong sound signature and flavour to the tracks. he invited 4 of his friend to participate to his musical journey: hatelate the french house prodigy edited on and ondule recordings, ryutaro and go aka dj lulu and dj gas, the japanese rising stars of underground house edited on gourmand music recordings and frosted recordings and lastely nouskynousk and his funky goove and french house touch, part of the gourmand family for more than 3 years now and also edited on moodyhouse recordings. you will discover in this album all jrs love to share his vision and contribution to the underground house !, hope you will enjoy those track full of funky, disco and soul cutz so significative of jrs music!

although the artist has spent 2015 honing the discographies of his other projects, �ravers� comes after a silent year for the d. carbone moniker which in turn gives it all the more impact. the �class of �87� dj and producer�s first mini-album is dedicated to everyone interested in the ecstatic sounds of 90�s rave culture. on �ravers�, d. carbone distances himself from the functional perception that techno indicates a fairly narrow tempo range. instead, he approaches it more freely by returning to earlier formulations.

unheard nuggets all over this one... palto flats and new general catalogue are partnering to release awaawaa, a new record by woo, the longstanding project of british brothers mark and clive ives. undertones of: jon hassell, holger czukay, durutti column, popol vuh, this heat... a hearty recommendation from us! featuring never before heard recordings from woo�s archives, awaawaa sees the band at their most evocative and psychedelic - presenting a suitelike, atmospheric collection of stunning miniatures. recorded in south london during 1975-82, awaawaa lines up chronologically with other woo releases, such as �whichever way you are going, you are going wrong,� and touches upon synth, ambient, electronics, dub, and even krautrock. following re-issues on drag city and emotional rescue, awaawaa presents a new chapter in woo�s celebrated discography, further distilling the brother�s unique and otherworldy vision.

a truly poetic record that works in a club as well as on a romantic walk. pure house bliss ...

aimes brings everything good to this release from sun-kissed synths to chimes lapping around your dancing feet, this sort of post-disco can be found on �pleasure cruise-. on the flip, �acid dreaming� is an electro- futurist vision of the journey beyond consciousness to realms unknown. out on the tugboat edit spin-off star creature.

paxton fettel embodies everything were about at kolour ltd. will it berghain is the culmination of a vision that was designed with paying homage to the reason(s) we all started doing what we do. with previous releases on apersonal & his debut lp on greta college workshop, we re pleased to finally welcome paxton fettel to our family at kolour ltd in 2016

bringing together their eclectic musical background, both individuals behind the recently born artist duo exponent share a vision of a uniting element in dance music, which is much more defined by atmosphere and its demarcation to mainstream music than by simple genre characteristics. sometimes broken, sometimes straight - those three tracks end up with a four-to-the-floor attitude, without intending to. complex and simple at the same time, never letting go of that one hypnotic groove, which keeps us together during those special nights. 22.22. is released on freakadelle, the record label of the same-named cultural npo based in salzburg, austria.

state-of-the-art techno from nico purman. the argentineans vision of contemporary club music has always been located somewhere between techno and electro. his pattern recognition ep turns out to be nicos most uncompromising work since his early releases on vakant and scores with three bold and infectious tracks for the club.

following last year�s breakthrough album �tundra�, lakker return to r&s with a very special new project.
lakker were commissioned by the re:vive initiative to create a new conceptual work solely sampling field recording, tv and radio broadcasts from the dutch national av archive, the netherlands institute for sound and vision. the curated material provided all related to and was representative of the theme the �dutch and water�.
the resulting 8 track release �struggle and emerge� is a tense soundtrack to the machine driven mid-20th century that captures the complex relationship between the dutch and the water that surrounds them- unyielding, colossal, industrial.
the vinyl lp includes a download code.

the taleneted frenchman delivering quality house for the discoteque... ninja tune s singles label technicolour welcomes parisian producer nathan melja (formerly simply -melja-) to the fold with a 4-track 12- ep of instinctive, effortless and beautifully understated techno entitled -no no no-. released on 13th may 2016, it s a direct reflection of his future-facing vision teamed with a healthy respect for house and techno s forebears and innovators. you can stream the title track via the technicolour soundcloud and preorder the 12- now. flitting between paris and nyc, nathan made his mark with two superb 12-s for mister saturday night and a sterling ep for opal tapes offshoot imprint black opal in 2014-15. his residency dream real at parisian clubbing institution batofar has featured the likes of moiré (werkdiscs / spectral), technicolour labelmate florian kupfer and italian don madteo.

francesco tristano really needs no introduction lately, his music speaks volumes and his reputation precedes him with that said we are happy to share place on lafayette with you once again, this time including some stunning remixes. the first one is a collaboration between two highly respected artists: thomas gandey and radio slave. the two take the track further into tech-house territory with the percussion driving while multiple layers begin the fall into one another, achieving a beautifully elegant and jazzy end result. gutis vision is much deeper, with hints of dub here and there as the artists drives the tension up and creates a stunning groove. the final remix come from tuff city kids, who are known for their sometimes unconventional approach to making music, and in this case, it works. they channel a raw vibe and create something that is quite possibly the furthest thing from the original in terms of percussion. the pianos keep the thread strong, and the rhythm takes care of the rest.

billy nasty�s electrix records launches its 2016 schedule by welcoming back the always impressive, carl finlow. carl is one of dance music�s leading lights and a multi-talented producer across a range of genres, with releases stretching back to the early 90s. well known for the 2020 vision label he launched with ralph lawson, his solo work however has often taken an electro route with releases under various guises like random factor, black labs, voice stealer, silicon scally and scarletron (with daz quayle) on labels including warp, fuel, playhouse, paper, trope, sony, klang, arista, soma, scsi, pagan, minifunk, seventh sign and satamile. it�s been almost 3 years since carl appeared on electrix. his �boot loop ep� became the label�s second release after its re-launch in 2013. but it�s definitely been worth the wait. his �electricology 4 ep� once again shows why he�s a master of the genre. from the tough and funked-up �lateral thoughts�, speckled and melodic �hyperloop�, squelching, bassy �suspect reanimation� and sinister, beat-driven �latext�, right through to the playful �atomic level� (a bonus track for the digital release), the ep shines, with a stamp of high quality running though its core.

1990s style house from chicago�s glenn underground with a lush hook spoken by big ed of bbn. this is basically glenn�s vision of the 90s house sound.

modern love very rarely reaches out to artists outside of its immediate surroundings, it�s happened just a couple of times in the last 14 years. but there�s something about philippe hallais that compelled the label to ask him if he wanted to do something together. philippe has released music on a bunch of cool labels (l.i.e.s., the trilogy tapes, delsin, in paradisum), but hearing the first tracks recorded for lighthouse stories, it was obvious philippe was hitting on something new: a kinda weird slow/fast dance music that sounded like a footwork variant sewn up with an exotic production style that was impossible to pin down. these tracks eventually splintered off into different directions, held together by a strong sense of narrative and motion harking back to a teenage obsession with turntablism, detroit electro and ghetto house, and eventually juke and grime. although he�s spent the last few years focusing on more industrial dancefloor variants, for lighthouse stories philippe turned to these foundational influences, as well as his love of mixtapes and sound collages full of unfinished ideas, skits and experiments, all things that inform the flow of this new album. lighthouse stories captures a sense of nostalgia well, but is also a futuristic vision full of that exploratory, vibrant spirit that�s so hard to find in electronic music these days. frames of reference are hard, but in places it reminds us of the dusted swagger of anthony shake shakir, the acquatic drexciyan movements of ultradyne, a loose-limbed take on shangaan, and of actress at his most submerged. but ultimately, it�s an album made by a producer looking to his personal history while forging new ground, pushing ahead with little regard to convention and ultimately ending up with something completely unique: a kind of intimate journal rendered in bright colours and odd shapes.

limited to 300. a fourth vinyl release for london label bleed, and a first full ep from new jersey based dj spider, who runs plan b and sublevel sounds, and has also released on the trilogy tapes, killekill and nord, occasionally in collaboration with phil moffa, marshalito and franklin de costa. spider also featured on the most recent bleed release, providing a remix for volte-face s all grown up ep. this release, burning museums , is said to -represent the loss of knowledge of mankind by the modern scientists who are destroying ancient texts in their attempt to erase history-. a tough, direct yet heady ep, burning museums features 4 spider originals, 3 primed for techno floors, and 1 ambient excursion. there s also a remix by bleed boss, volte-face. eatly support from svreca, dj nobu, daniel avery, tripeo and zadig.

schon vor seinem kompakt-debüt mit einem meisterhaft verzwirbelten remix für gui borattos take control (kompakt 302) hatte sich miami s danny daze mit veröffentlichungen auf so illustren plattformen wie ultramajic, omnidisc, cómeme oder phantasy einen namen gemacht - doch es war die rauhbeinige und muskulöse speicher 80, die unsere rezpetoren erst so richtig durchgepustet hat. dannys rezept für biegsamen, electro-durchwirkten techno entpuppte sich als unglaublich mitreissend und basslastig, eine kühne, futuristische und funkende vision für den tanzenden flur, die ihre fortsetzung in einer brillianten neuen scheibe findet: zwei frische blaupausen für den rave im handumdrehen beglücken uns auf speicher 91, mit der gesichtszugkernschmelze swim als auftakt zur völligen arpeggio-anarchie während die rückseite dem rasiermesserscharfen robofunk von machine zum opfer fällt, dannys zweiter kollaboration mit translucent für speicher nach dem knallharten durchstarter speaker language (kompakt extra 80).

in meteorology, haar is a coastal fog along certain lands bordering the north sea.
the first release features sonitus eco�s vision for the label, shrouded in mist.
remixes by dar dra and ness. mastered by neel @ enisslab mastering studio.
limited to 300 white/blue marbled 180g vinyl incl. a4 insert.

faze action return with a brand new 12 inch, teaming up with zimbabwean born zeke manyika to create * mangwana*. sung in zekes native shona, and taking influences from mory kante, south african kwaito to early house, faze action manage to create a record that harks back yet still has a modern and contemporary feel and is set to be the soundtrack to countless festivals and outdoor parties this summer.
the title track is followed by the stunning * chiiko*, featuring zekes vocals enriched by robs cellos with african rhythms floating you away to another tropical world. a vision of panorama turns up the dial with a stunning mix on the flip side. a new bass line adds to some quality keyboard work. finally the brothers deliver are more stripped out dub * paradise 89 mix* tailored for the peak time.

a collection of works by dennis young from 1984 - 1988.

italian house producer nicholas is back on home taping after a string of releases on labels like 4lux, quintessentials, 20:20 vision and nu groove. and it s straight back into business as usual on this release as he picks up where he left off with his best-selling love message and the music lives eps and delivers 4 raw and tracky dance floor bombs that will keep your dance floor pumping. all the cuts sit perfectly on that line between house & disco for maximum dance floor work. the bonus beats are back

luxxury aka blake robin makes his deep&disco debut with a pair of tracks heavily steeped in classic west coast sunshine and vintage disco vibes. for the 12 inch release d&d has collected a quartet of remixes by whatever/whatever, greg wilson, a vision of panorama and jkriv that take the tunes off the beach and onto the dance floor!

black asteroid is a man with a unique vision for the future of techno. as a former engineer for prince and half of acclaimed techno outfit motor, bryan black has been consistently pushing the boundaries of electronic music for over two decades. he now launches his most ambitious project to date with pitch black, a new multi-faceted platform that encapsulates everything the man is about. with the podcast well underway, and the tour consistently arriving at new horizons, black asteroid moves forward with the next chapter in the pitch black dynasty. combining his loves of fashion, love and art, each pitch black release is going to be a unique affair fusing different artists, designers and musicians.

the btrax records label is back after few years off, and we are sure that new ep will not disappointed you. we are very proud to put out 1 stunning track made by one of the label artist : camille rodriguez from paris - france. electronic music drives his life for over 10 years now, he has developed his own style incorporating all his influences. he is passionate about the live, and create that way with synthesizers, sequencers, bar and samplers... he likes pushing himself sweating behind his machines, improvising at every moment, keeping control of every sound in order to play more intuitively, getting a better communication with the crowd... �andalusian 2.0� comes in two guises, the original mix which delivers some perfect techno keys and claps over its stomping techno beat, giving it live performance style flavor. the traumer remix takes it into darker warehouse territory but still retains the warmth and groove. kaine�s remix delivering some tough dub techno workouts that still have just the right amount of funk and groove.

dj jus-ed share s some of his special moment track s from as far back as 2008. he hope s that they will bring you enjoyment on the dance of any level. all six tracks have their own personal sound and purpose. best description of these 6 tracks is...make your own! if your a dj jus-ed fan you have to have this double pack in your collection!

dutch power duo doms & deykers a.k.a steffi and martyn step up to the plate with a brand new action packed offering. following up their fonts for the people ep and their track whirling on ostgut tons zehn lp, the two take their continuous collaboration to a new level. the three tracks on dedicated to those who feel see steffi and martyn recognizing their respective strengths, combining their 90s heritage with a vision of the future, modern techno soul with all its flaws and bright euphoric moments. dedicated to those who feel serves as the introduction to a full length doms & deykers lp, scheduled for later this year.

enfance orchestra collection is the crystallization of the time we spent, working together. a musical encounter between us and our extended family. this object stands as the manifesto of an aesthetic, a vision and a direction : ours. a polaroid of enfance music.
pressing on grey marbled vinyl, download code included.

we are proud to announce our first ever collab release with another label and above all, from one of our all time fave producers out there, the revenge. his label roar groove has become a household name for excellent deep dance floor excursions into dubbed out and disco fuelled house music and is the perfect fit for our vision of dance music.

vinyl only ep! no.5 on taverna tracks comes from young and talented nick beringer droppin four classy housejams. dont sleep on nocturnal!

already drawing comparisons to artists like kaytranada and pomo, french producer and multi-instrumentalist jean tonique gets set to become one of the most hyped artists in 2015 with the release of his second ep through yuksek�s partyfine label on 30th march 2015. drawing influences from 70s funk, jean tonique makes an effort to distance himself from genre-defining elements while approaching his music from an organic and raw songwriting perspective. using elements from hip hop, house, and 70s/80s funk, the multifaceted producer likes to draw people in with the malleable dynamics of his music. after remixes of lana del rey, outkast, the kooks and many more, jean tonique has broken into the online market through being a regular fixture on hype machine�s top 10 and growing recognition from media outlets. now, growing on his french electronic music notoriety, jean tonique is preparing to expand his presence with the physical release of the you ep - bringing that old school, happy vibe that made us fall in love withfunky house

the links ep is blackhall & bookless latest outing for their increasingly renowned jaunt records imprint. a highly personal release, the ep is a homely affair, celebrating the boys upbringing in whitley bay with a gusto thats indicative of the areas unique charm.